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      	Peter Johannes is a full-time artist and  has made a living as an artist for 
      	more than thirty years, while operating a studio in Maine since 1975.  In 
	addition to Photography, he studied numerous disciplines such as etching, 
	painting, jewelry design and sculpting in clay, metal and mixed media. His 
	studies include, Haystack School, Ringling School of Art and Design, Volks 
	University and Van Gogh Museum work atelier in Amsterdam, the Van Der 
	Peil Print studios in Holland, Federico Perrone Studio and the Longboat 
	Key Art Center.  He also served as foreman in the sculpture studio Atelier 
	Orkaan, and Public Relations/spokesman for internationally known sculptor 
	Slavomir Miletic in the  Netherlands. He conducts Art appreciation classes 
	in the gallery setting, and in  public schools.  
 Peter’s  focus for the last few years has shifted completely away from the 
	“Pretty Pictures” which he still sells to publishers  for Calendars, Magazines 
	and books. This “Artistic Osmosis”, as he calls it, began a number of years 
	ago when he began to question if the camera was an instrument that would 
	only play conventional tunes, or could it be used in alternative ways to produce 
	images which reached people on an emotional level and spoke of Concepts  
	rather than Objects?  He thus began to convey with the  camera a mood, or 
	feeling, such as love or hate, or our struggle with time or transcendancy or 
	loss and sorrow. Thus he found himself in the rarefied air of the “Conceptual 
	Photographers”, which inhabit the fringes of the Photographic World to the 
	delight of viewers and Collectors world-wide. Though a decidedly small 
	fraction of photographers achieve this breakthrough, they enjoy more than a 
	large measure  of artistic acclaim and recognition by both Publishers, Art 
	Critics and the public at large.
 
 Peter says, “All of my Art images by definition tend to be Conceptual, it is the 
	single thread that seems to run through all of the collections. There is always 
	an undercurrent of the Surreal in most of my Art images.  
	The “ Phantasmagoria” Series of surreal photos has been widely appreciated, 
	and is one of my best selling Series. The effects in these photos are achieved 
	through whatever means are necessary so that when one views these 
	photographs, there must be an element of “wonder” and like a good magician 
	the images must always  pose the question, “How was that done?” If people 
	can’t “see the strings”,I figure the image is as convincing as it needs to be. 
	Though he uses a “dry darkroom”, in which the computer is a central tool, 
	there are no computer generated elements in these images, they are all 
	photographically based using both Film and Digital photos to make composite 
	images which evoke an other-worldly texture and emotional context. From the 
	response at Art shows, and Gallery exhibitions, I know that people are 
	fascinated and moved by this work, which spurs my desire to further open to 
	them, worlds that only exist in the  artist’s mind.”
 
 “I use as my motto  the words of Sculptor Auguste Rodin who said, “The artist 
	in representing the Universe as he imagines it, formulates his own dreams....
	thereby he enriches the Soul of all Humanity”.......
 
 Awards in the last year: Best of Show/  Art South Miami ----Third Place
 Disney’s Festival of the Masters ---- Third Place
 Suntrust South Miami Art Festival
 
 
  
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